2020 will finally see the reemergence of British folk’s most enigmatic lost son. You may recognize Matt Deighton from his time fronting Acid Jazz heroes Mother Earth; you may remember him as Paul Weller’s guitarist in the late 90’s, or Noel Gallagher’s recommendation for who should replace him when he quit the European tour in 2000. Or maybe you don’t. For almost two decades, the man they keep calling the natural successor to Nick Drake, Davey Graham and John Martyn has been himself more of a rumour – a murmur among musicians, songwriters and diehard music lovers who proudly display his rare vinyl releases like trophies. The list of articles in the press and online has continued unabated, forever asking the same question: Where is Matt Deighton? As the Huffington Post discovered in their recent piece ‘The Resurrection of Matt Deighton’: He’s back. He’s been back a couple of times, and you missed him.
For those prospectors looking to pan the stream for a British Sugar Man, Matt’s discography shines like a diamond among the silt. ‘Villager’ was the subject a few years back of a Mojo ‘Buried Treasure’ feature and is oft hailed as a British folk classic; The Common Good is strewn with British music glitterati such as Paul Weller, Steve White, Mick Talbot and Marco Nelson; and the stunning You Are The Healer features Brian Auger among others. Matt is one of those rare artists that musicians simply want to be associated with. Tom Cox, who reviewed Wake Up The Moths for the Observer Music Monthly recently remarked in the sleeve notes for the vinyl reissue that his only regret when reviewing the album was that he felt his ‘measly four out of five star rating did it a disservice’. Add to that the four stars from Q and Mojo for his collaboration with Chris Sheehan ‘The Bench Connection’ in 2007 and you start to get the picture. That’s to say nothing of collaborations with Chris Difford, Dr John and Mighty Baby.
Having spent years trying to convince Bill Fay to come out of retirement – which resulted in the heavily critically acclaimed Life Is People (Matt assembled the band and played lead, which he also did for Countless Branches and Who Is The Sender) he accidentally convinced himself back in to the studio at the same time for The Family Silver with Steve White, and Ocean Colour Scene bassist Damon Minchella. There then followed a whispered release of a lost classic written with Squeeze’s Chris Difford and recorded with Richard Causon, Kids Steal Feelings; and there were the almost invisible, yet fathoms deep ripples in the pond from his most recent, achingly beautiful album Doubtless Dauntless featuring musicians such as Gary Carpenter (he of The Wicker Man Soundtrack fame) and The Attractions’ Steve Nieve.
Matt Deighton’s stunning discography is an undiscovered island inhabited by a human being everyone wants to love and protect from the world around him. Matt’s is a story of genuinely great musicianship and songwriting; but most of all, of the beauty and fragility of one of Britain’s greatest lost talents and how life around him has sometimes shaped a fate beyond his control; but who has come back with something more beautiful every time the storm abated.
Yes, Matt Deighton has returned and you probably never knew it. Well now you do; and as the Sunday Times declared - “...it’s impossible to imagine fans of Nick Drake of John Martyn not falling in love with him...”
"His true spiritual ancestor is Nick Drake... Matt has an uncanny knack of writing songs that sound like they’ve been constructed just before dusk on a riverbank..."
Observer Music Monthly ****
Help Musicians have very kindly helped us with the Do It Differently Award. I've always done it, now I'm going to do it differently and my albums will finally get to see the light of day and reach ears all over the world. We are releasing my unavailable back catalogue of five albums digitally, in hi res remastered form via Karousel Buried Treasure and AWAL, as well as a new album I've recorded with some great friends and music people, including the great Ken Scott. And best of all, this set up means I'll get to keep all my rights to these albums, which I am so grateful for.
I can't thank Help Musicians enough for the help they've given me over the years, truly wonderful, kind people. I hope the film that's been made about me will help more people find out about them too.